By David M. Perry, Matthew Gabriele SMITHSONIANMAG.COM JUNE 29, 2021
Verena Krebs had already completed the full manuscript and had secured a contract with a major academic publisher. The bad news was more existential: She didn’t like the book she had written. Krebs knew her sources ran against the dominant narrative that placed Europe as aiding a needy Ethiopia, the African kingdom desperately in search of military technology from its more sophisticated counterparts to the north. But her writing didn’t fully match her research; it still followed the prevailing scholarship. Krebs worried that her interpretation of the original medieval sources was, in her own words, too “out there’” So, she hedged, and she struggled, and she doubted, and wrote the book she thought she was supposed to write.
What emerged, published earlier this year as Medieval Ethiopian Kingship, Craft, and Diplomacy with Latin Europe, is a story that flips the script. Traditionally, the story centered Europe and placed Ethiopia as periphery, a technologically backwards Christian kingdom that, in the later Middle Ages, looked to Europe for help. But by following the sources, Krebs showcases the agency and power of Ethiopia and Ethiopians at the time and renders Europe as it was seen from East Africa, as a kind of homogenous (if interesting) mass of foreigners.
Read the fascinating article HERE.